AKG P120 Condenser Microphone

 46,000

The AKG P120 Cardioid Condenser Microphone is a budget-friendly, versatile microphone suitable for various recording applications, including vocals, acoustic instruments, and amplified sources.

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Description

Description

The AKG P120 is a popular cardioid condenser microphone that stands out in the budget-friendly segment for home and project studio recording. It’s often recommended as a versatile starter mic due to its solid performance and useful features at an accessible price.

Features and Specifications:

  • Microphone Type: Condenser. This means it requires +48V phantom power to operate, which is typically supplied by an audio interface, mixing console, or a dedicated phantom power supply. Condenser microphones are known for their sensitivity, wide frequency response, and ability to capture intricate details, making them ideal for vocals and acoustic instruments.
  • Diaphragm: It utilizes a 2/3-inch (or 0.67″) gold-sputtered diaphragm. While AKG often lists it under their “large-diaphragm” category, it’s technically a medium-diaphragm electret condenser capsule. This design aims to provide a balance of detail and a relatively full sound.
  • Polar Pattern: Cardioid. This is a highly directional pickup pattern, designed to capture sound primarily from the front of the microphone while significantly reducing sound from the sides and rear. This is excellent for isolating a specific sound source (like a singer or an instrument) and minimizing unwanted room reflections or background noise.
  • Frequency Response: 20 Hz – 20 kHz. This broad range ensures it can capture the full spectrum of audible sound, from deep bass frequencies to crisp highs.
  • Max SPL (Sound Pressure Level): 130 dB (150 dB with the attenuation pad engaged). This high SPL handling capability is a significant advantage, allowing the P120 to record very loud sound sources without distortion. This makes it suitable for vocals, close-miking guitar amps, and even as drum overheads.
  • Switchable 20 dB Attenuation Pad: This is a crucial feature that reduces the microphone’s output signal by 20dB. Engaging the pad prevents the microphone’s capsule from overloading and helps avoid clipping at your audio interface’s preamplifier when recording extremely loud sources.
  • Switchable Bass-Cut Filter (Low-Cut Filter): This filter rolls off frequencies below 300 Hz (at 6 dB/octave). It’s highly useful for eliminating unwanted low-frequency rumble (e.g., from air conditioning, traffic, or footfalls) and for counteracting the “proximity effect,” which is the artificial boost in bass frequencies that occurs when a sound source is very close to a cardioid microphone.
  • Connectivity: Standard 3-pin XLR output. This is the professional standard for microphone connections, requiring an XLR cable to connect to your audio equipment.
  • Build Quality: Features a rugged all-metal body and a sturdy metal grille. The P120 is known for its robust construction, designed to withstand the rigors of regular studio use.
  • Included Accessories: Typically comes with a standard stand adapter (swivel mount)

Output Quality:

  • Versatile Sound: The P120 is lauded for its versatility. It can deliver good results on a wide range of sources:
    • Vocals: Many users find it produces a clear, warm, and somewhat “crisp” vocal sound that can work well for various genres, from singing to spoken word (podcasts, voice-overs).
    • Acoustic Guitars: Capable of capturing the detail of acoustic instruments, providing a balanced and present sound.
    • Electric Guitar Amps: Its high SPL handling makes it a capable mic for miking guitar cabinets.
    • Drums: Can be used effectively for close-miking drums (though specialized dynamic mics are often preferred for snares/kicks) and is a decent option for drum overheads to capture cymbals and the overall kit sound.
  • Balanced Tone with Character: While not entirely “flat” or “neutral,” its sound signature is generally well-regarded. It often adds a pleasant warmth and clarity, especially in the upper mids and highs, without being overly harsh.
  • Self-Noise: At 19 dB-A Equivalent Noise Level, its self-noise is respectable for its price point but higher than more expensive, premium condenser microphones (like the RØDE NT1-A, which boasts a self-noise of just 4 dB-A). For typical home studio recording, this level of noise is usually not an issue unless you’re recording extremely quiet sources in a perfectly treated room.
  • Value for Money: This is arguably the P120’s strongest suit. It offers a feature set and sound quality that significantly outperform many microphones in its price category.
  • Excellent Value: Provides professional-level features and sound quality at a very accessible price.
  • Highly Versatile: Suitable for a broad range of vocal and instrumental recording applications.
  • Durable Build: All-metal construction ensures longevity.
  • High SPL Handling: Can record loud sound sources without distorting.
  • Switchable Pad and Low-Cut Filter: These features are often found on more expensive microphones and greatly enhance the P120’s adaptability to different recording scenarios.
  • Clear and Usable Sound: Capable of producing recordings that are more than sufficient for demos, podcasts, and even finished tracks in a project studio.

In conclusion, the AKG P120 is a consistently recommended microphone for anyone looking to step up their recording quality without investing heavily. Its combination of solid sound, robust build, and practical features like the pad and low-cut filter make it a highly valuable tool for home studio recording.

Additional information

Additional information

Weight 1.5 kg
Dimensions 3 × 2 × 7 cm